Short Synopsis

The dialogue of a body with its pictorial memory; the dialogue of a body with its realised masculine and patriarchic view in the pre-revolution cinematic image and expanding that image in our day-to-day reality. A cinematic letter of a body to the historical masculine view of image and retrieval of confiscated and controlled bodies to be released in history.

A reply to the pictorial history that fixated the feminine body and being in the public eye through controlling and confiscating them. To set oneself free of that history and using feminine body and referring to the nature, Mania Akbari challenges the recorded images of feminine beings in the patriarchic cinema of Iran pre-revolution era. Through a pictorial letter, she heads for a war against a cinema which defines and records the woman with its patriarchic ideological view. She has realised the feminine definitions and features in reality.